There Is No Fixed I: The Self in Eastern Thought
Takahiro Mitsui's thesis (There is no fixed I, 2025-05-29): in Japan there is no unchanging "I" established before the encounter; self and other alike show themselves within the relations of a place. To "exist in the flow" is not anxiety over losing a fixed self but a highly active attitude that finds the true self precisely in constant change. And dissolution is not loss but a way of seeing things as they are, by dissolving the split between subject and object (Project 2049 Vol.0).
A self that appears with the place
A simple example: a woman who is a teacher and has children is "mother" at home, "teacher" at school, and "you" among friends. What others call her changes with the place.
Where English needs only "you," Japanese shifts the form of address as the place requires. A foreigner learning Japanese may feel that, in Japanese conversation, a new "I" appears from moment to moment according to the relationship with the other person, and above all the place. In Japan, self and other alike are variable beings who show themselves within the relations of a place; there is no unchanging "I" established before the encounter. Put another way, the self in Japanese is fluidity itself.
The self that surrenders to excitement at a festival, the self at rest with family, the self that does its duty at work: none of these "I"s tied to a place is a mask. Each is a form born of resonance with place (the place of absolute nothingness).
Existing in the flow
Old Buddhist scriptures also contain important teachings, shogyo mujo and shoho muga: all phenomena constantly change, and nowhere is there an unchanging self. Even the mind and body we take to be ourselves are merely aggregates of elements that change from moment to moment. This sense of impermanence, that there is no "I" that stays identical forever, is not a feeling of void or loss; today it has spread worldwide as an insight that sees the world as one great flow.
The philosopher who Japanized this Buddhist philosophy of identity and brought it to a brilliant sublimation was Kitaro Nishida. Nishida proposed a new concept, "absolutely contradictory self-identity." He saw the world as made of two absolutely contradictory elements, the "many" and the "one," and broke through to a state hard to put into words until then, reaching a deep Japanese thought.
The predicative realm
In the predicative realm there is no subject, agent, subjectivity, ego, or self, such as the subjective realm produces. Philosophically, there is no opposition of "subject and object" or "subjective and objective," and the very concept of an object does not exist. That is, there is no ontology. To put it plainly, the subjective realm has "separation" as its code, and the predicative realm has "non-separation." Things are not separated in anything.
I have seen this especially in the identity crisis of young people who live where the subjective realm works strongly. It is by origin a problem peculiar to the subjective realm, and given that it shows most in the lands of subjective language, it looks to me like the symbol of a new current: the polishing and refining of the subject has reached its limit, and it is beginning to dissolve once more into the predicative realm.
Dissolution is not loss
What follows is a phenomenon called neuroplasticity. It is a rebooting of the DMN, and from there the brain begins rebuilding itself over days or weeks, and in some people over months or years. Put plainly, it dissolves and then reconstructs. Dissolution is not loss but a way of seeing things as they are, by dissolving the split between subject and object.
Only by dissolving the split between subject and object does it become possible to dive deep at all. Diving deep, then, is not a descent carried out by the will or consciousness of a subject. It is the state in which you sink of your own accord, by practicing the dissolution of subject and object, and of every other separation, in the middle of ordinary life.
Bringing the subject to nothing
This is what I value most in thought: muka (無化), bringing to nothing. This state cannot be reached unless the subject, the self as agent, subjectivity and the ego are thoroughly brought to nothing. And this state is not reached by an act of will or a sense of purpose; it becomes manifest from the other side, in the place where the subject has been brought to nothing.
Confusion, in Zen, is the subject, the self as agent, subjectivity and the ego.
Not a passive anxiety
The view that one "exists in the flow" is not anxiety over losing a fixed self. It is a highly active attitude that finds the true self precisely in constant change. Of course, even for a Japanese it is not easy to reach.
How do Japanese people see the world?
Takahiro Mitsui's thesis (There is no fixed I, 2025-05-29): Japanese has no fixed subject in its structure, so the self in Japanese is fluidity itself; in Japan there is no self in the Western sense, and the worldview follows from that structure.
Put another way, the self in Japanese is fluidity itself. That is to say, in Japan there is no self.
Learning Japanese is entering a world without a subject
Takahiro Mitsui's thesis (Awakening never completes, 2026-08-27): the grammatical subject is a theme that ought to be argued over more seriously than almost any other; Japanese, for example, has no subject, and the presence or absence of a subject is the clearest proof that the world itself is different.
The subject. I believe the grammatical subject is a theme that ought to be argued over more seriously than almost any other, yet because the problem is so badly neglected, it is hardly ever questioned.
Japanese, for example, has no subject. At first glance, whether a language has a subject may not seem to matter much, but in fact it overturns quite literally "everything." In the structure of a language, the presence or absence of a subject is the clearest proof that the world itself is different.
Japanese has no "subject" in its structure, and so no "copula" either. In a sense it is a fully "predicate-based language." This is the greatest barrier for foreigners learning Japanese.
Every one of us should make a serious occasion to think again about what a subject is.
Is the human versus AI debate a Western one?
Takahiro Mitsui's thesis (Awakening never completes, 2026-08-27): a debate over human or AI closed within the West stands on the West's cultural and historical background and is neither general nor universal; the structure of English allows its speakers only one subject, while speakers of Japanese have no such constraint.
What always strikes me as odd about the typical Western debate, for instance, is that it can only be framed as "the human" versus "AI." But that "human" is shared only inside the heads of a group that, seen from the world as a whole, is extremely limited: the bounds of Western history and culture.
The structure of English allows its speakers only one subject. A single grammar cannot multiply subjects or let them coexist.
This means that the problem of the "one absolute seat," a problem peculiar to the West, does not exist in Japan.
Essays to read
- There is no fixed I — Is there a fixed self? Takahiro Mitsui, a contemporary Japanese philosopher (b. 1991), notes the self appears anew in each relationship and place, as the Japanese language shows: there is no fixed I — and how Japanese people see the world from it.
- AI thinks in subjects — Will AI change how we think? Takahiro Mitsui, a contemporary Japanese philosopher (b. 1991) writing every week, holds AI runs on a language of subjects, and moving between subject and predicate languages frees thought: the predicative realm has non-separation as its code.
- Awakening never completes — Is mindfulness awakening? Takahiro Mitsui reads the Ten Oxherding Pictures: the empty circle is a waystation, and awakening begins when you walk into town.
- Culture is something you do, not something you have — Why is Japan so different? Culture is not an idea made by a subject but something done each day, Takahiro Mitsui holds: Japanese has neither a subject nor a copula, and no word for counterculture.
- Zen is not a method — Is Zen a meditation method? Takahiro Mitsui's thesis: Zen is not a meditation method but a way of living born of a language with no subject, so the Zen that D.T. Suzuki carried to the West in English could not arrive as it lives in Japan.
- Project 2049 Vol.0: Yohaku and Diving Deep (free to read in full)
- Project 2049: an essay in English every Friday — $10 a month
Takahiro Mitsui's books
- NO ONE DECIDED: Wa and the World's Most Orderly Society (Kindle, in English)
